Action-based effects on music perception |
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Activation of learned action sequences by auditory feedback |
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Auditory and motor imagery modulate learning in music performance |
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Auditory feedback and memory for music performance: sound evidence for an encoding effect. |
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Born to dance but beat deaf: a new form of congenital amusia |
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Cognitive and biomechanical influences in pianists' finger tapping. |
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Common cues to emotion in the dynamic facial expressions of speech and song |
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Context and meter enhance long-range planning in music performance. |
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Dissociable effects of practice variability on learning motor and timing skills. |
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Effects of hearing the past, present, or future during music performance. |
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Electrical Brain Responses to Beat Irregularities in Two Cases of Beat Deafness. |
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Emotional arousal and the automatic detection of musical phrase boundaries |
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Emotional response to musical repetition |
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Endogenous rhythms influence interpersonal synchrony |
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Engaging with the smartphone generation. |
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Head movements encode emotions during speech and song |
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Influence of melodic emphasis, texture, salience, and performer individuality on performance errors |
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Inhibitory control and l2 proficiency modulate bilingual language production: evidence from spontaneous monologue and dialogue speech |
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Interactions in Ensemble Music Performance: Empirical and Mathematical Accounts |
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Listeners feel the beat: entrainment to English and French speech rhythms |
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Listening, Imagining, Performing: Melody As A Life Cycle of Musical Thought |
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Meeting of two minds in duet piano performance |
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Music and the Pursuit of Truth |
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Physiological influences of music in perception and action, 2022: |
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Rate effects on timing, key velocity, and finger kinematics in piano performance |
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Repetition suppression in auditory-motor regions to pitch and temporal structure in music |
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The role of working memory in the temporal control of discrete and continuous movements |
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Sensorimotor Learning Enhances Expectations During Auditory Perception |
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Sensorimotor mechanisms in music performance: actions that go partially wrong |
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Sensory, Cognitive, and Sensorimotor Learning Effects in Recognition Memory for Music |
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Sequential and Biomechanical Factors Constrain Timing and Motion in Tapping |
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Singing emotionally: a study of pre-production, production, and post-production facial expressions |
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Sleep Consolidation of Musical Competence |
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Speech rates converge in scripted turn-taking conversations |
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Speed, accuracy, and serial order in sequence production |
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Subdividing the Beat: Auditory and Motor Contributions to Synchronization |
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Suppression effects on musical and verbal memory. |
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Synchronization of motion and timing in clarinet performance |
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Synchronizing MIDI and wireless EEG measurements during natural piano performance |
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Tactile feedback and timing accuracy in piano performance |
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Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates. |
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Temporal control and hand movement efficiency in skilled music performance |
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Temporal coordination between performing musicians |
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Time course of retrieval and movement preparation in music performance. |
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The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance |
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