Marsh, John, 1752-1828
Marsh, John
John Marsh English composer (1752-1828)
Marsh, John, 1750-1828
VIAF ID: 34605209 ( Personal )
Permalink: http://viaf.org/viaf/34605209
Preferred Forms
- 100 0 _ ‡a John Marsh ‡c English composer (1752-1828)
- 200 _ | ‡a Marsh ‡b John ‡f 1752-1828
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- 100 1 _ ‡a Marsh, John
- 100 1 _ ‡a Marsh, John
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- 100 1 _ ‡a Marsh, John ‡d 1752-1828
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- 100 1 0 ‡a Marsh, John ‡d 1752-1828
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- 100 1 _ ‡a Marsh, John, ‡d 1752-1828
- 100 1 0 ‡a Marsh, John, ‡d 1752-1828
- 100 1 _ ‡a Marsh, John, ‡d 1752-1828
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4xx's: Alternate Name Forms (11)
5xx's: Related Names (2)
- 551 1 _ ‡a Chichester
- 551 1 _ ‡a Salisbury
Works
Title | Sources |
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Anthems | |
[caption title, p.105:] The 150 Anthem By J Marsh Esq.r | |
The cathedral chant book. Being a collection of near two hundred of the most popular & approved ancient & modern chants ... collected & arranged by J. Marsh [London, Clementi, Banger, Hyde, Collard & Davis] | |
chasse | |
Chöre und Arien aus dem "Messias", dem "Coronation anthem" und dem "Dettinger Te Deum" | |
The Christian's glorious triumph. Pope's ... ode, The dying Christian to his soul, set to music, for a single voice and piano forte [London, Culliford, Rolfe & Barrow] | |
The city feast, or Man of true taste. A favorite glee and chorus with instrumental parts [London, Preston & son] | |
Confitebor tibi, Domine [psalm 110 for 4 voices, 4-part chorus and orchestra] | |
Conversation sinfonie | |
conversation symphony Orchestres (2) Mi bémol majeur | |
Darbi. | |
Decimal arithmetic made perfect : or, the management of infinite decimals displayed. Being the Whole Doctrine of the Arithmetic of Circulating Numbers, explained by many New and Curious Examples in Addition, Substraction, &c. Of all which the last Age was entirely ignorant, but now made Easy and Familiar to the meanest Capacity. With proper Demonstrations to illustrate the Whole; in a Manner hitherto Unattempted, or at least not Published by any Author. To which is prefixed, an historical introduction, shewing the Progress and Improvements made therein by its several Authors, from the very First Attempt down to the Present Time. With large tables annexed to compleat the Whole. And an appendix, Containing The Arithmetic of the Five Primary Rules in Decimal Fractions, as commonly Taught. By John Marsh, Writing-Master, and Accomptant, in the City of Sarum | |
A discourse delivered at Wethersfield, December 11th, 1783. : Being a day of public thanksgiving, throughout the United States of America. By John Marsh, A.M. Pastor of the First Church and Society in Wethersfield. Published at the desire and expence of said Society | |
Due preludi e fughe : per organo a quattro mani | |
Eighteen voluntaries for the organ ... to which is prefix'd an explanation of the ... stops ... with a few thoughts on style, extempore playing, modulation &c. [London, Preston & son] | |
Favorite symphony | |
Finale No. 2 in B-flat major (1801) | |
Finales, orchestre | |
Finals Orchestre No 1 Ré majeur | |
Finals Orchestre No 2 Si bémol majeur | |
Finals Orchestre No 3 Mi bémol majeur | |
For two to play harpsichord music for four hands = Oeuvres pour clavecin à quatre mains = Werke für Cembalo zu vier Handen. | |
Fourteen new psalm tunes in four parts & different stiles ... two hymns for Charity Children one of which is by Will|m Hayley ... also a funeral hymn and some chaunts, with a separate organ part to the whole, and the voice parts printed separately [London, author] | |
Fuga's | |
Fugues, clavecin, orgue | |
History of my private life | |
History of my private life. Selections | |
Jesus in his lifetime | |
John Marsh journals the life and times of a gentleman composer (1752-1828) | |
[Kein Hauptsachtitel erfasst] | |
Keyboard pieces | |
Kyrie | |
O Lord who hast taught us | |
Lucy's call from Colin's tomb [Song, mit Orchesterbegleitung] [s.l., s.n.] | |
Marsh his mickle monument : Raised on shepherds talkings, in moderate walkings, in divine expressions, in humane transgressions | |
Messiah | |
[no title indicated] | |
Odes | |
Orchestra music. Selections | |
Ouvertüre und Stücke, Org (um 1791) | |
An overture and eight sonatinas for the piano-forte, with accompaniments for a violin and violoncello [London, Longman & Broderip; for the author] | |
Overture and pieces, organ | |
O praise God in his holiness | |
Präludien und Fugen Orgel, 4-händig C-Dur | |
Préludes et fugues Clavecins (2) Do majeur | |
Psalms | |
Quartet, violins (2), viola, cello, B♭ major | |
Quartets | |
Quartette, Vl 1 2 Va Vc B-Dur | |
A quartetto for two violins, tenor and bass, composed in imitation of the stile of Haydn's opera prima [London, author] | |
The rival candidates | |
Sanctus [...] Marsh | |
Services | |
Six anthems, in four parts, with a verse Sanctus & Kyrie Eleeson [London, Longman & Broderip; for the author] | |
Songs | |
Symfonieën. | |
Symphonies | |
Symphonies No 1 Si bémol majeur | |
Symphonies, no. 2, B♭ major | |
Symphonies No 2 Si bémol majeur | |
Symphonies No 3 Ré majeur | |
Symphonies No 4 Fa majeur | |
Symphonies No 5 Mi bémol majeur | |
Symphonies, no. 6, D major | |
Symphonies No 6 Ré majeur | |
Symphonies, no. 7, E♭ major | |
Symphonies No 7 Mi bémol majeur | |
Symphonies, no. 8, G major | |
Symphonies No 8 Sol majeur | |
Symphonies. Selections | |
Symphony No. 5 [16] in E-flat major (1783) | |
Vierhändige Bearbeitungen nach Werken von Georg Friedrich Händel für ein Tasteninstrument (Orgel, Cembalo, Klavier) | |
Voluntaries | |
Werke | |
Zadok the priest |