Weiss, Allen S., 1953-....
Weiss, Allen S.
Allen S. Weiss écrivain américain
VIAF ID: 32052918 (Personal)
Permalink: http://viaf.org/viaf/32052918
Preferred Forms
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100 0 _ ‡a Allen S. Weiss ‡c écrivain américain
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100 1 _ ‡a Weiss, Allen S.
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100 1 _ ‡a Weiss, Allen S. ‡d 1953-
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100 1 _ ‡a Weiss, Allen S. ‡d 1953-
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100 1 _ ‡a Weiss, Allen S., ‡d 1953-
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100 1 _ ‡a Weiss, Allen S., ‡d 1953-
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100 1 _ ‡a Weiss, Allen S., ‡d 1953-....
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4xx's: Alternate Name Forms (7)
Works
Title | Sources |
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Acte un pour un nouveau musée |
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aesthetics of excess |
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Almanach des gourmands huitième année, 1812 |
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Art brut : l'impossible retour aux sources |
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Au corps des choses. Pour une philosophie des théâtres de marionnettes aux XXe et XXIe siècles : de l'objet à l'obscène |
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Autobiographie dans un chou farci |
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autobiographie de Teddy récit |
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Breathless sound recording, Disembodiment, and the transformation of lyrical nostalgia |
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Christian Marclay : action : [exhibition, Aarau, Aargauer Kunsthaus, August 30 - November 15, 2015] |
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Chromaticism and joy : the paintings of Simon Carr : [exposition, New-York, Bill Brace Gallery, 1993] |
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Comment cuisiner un phénix essai sur l'imaginaire gastronomique |
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Danse Macabre za 21. stoljeće = Dance Macabre for the 21st century |
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East Village blues : récit |
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Essai sur l'art des jardins modernes |
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Experimental sound & radio |
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Feast and folly cuisine, intoxication, and the poetics of the sublime |
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Figure against form : the dolls of Michel Nedjar |
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Flamme et festin : une poétique de la cuisine |
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French food on the table, on the page, and in French culture |
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goût de Kyoto |
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The grain of the clay : reflections on ceramics and the art of collecting |
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Guide anachronique de Kyoto |
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Henri Olivier [exposition], Galerie carrée, Villa Arson, Nice, 19 décembre 1992-24 janvier 1993, Galerie Pierre Colt, Nice, 29 octobre-10 décembre 1993... |
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Henri Olivier : suivre le mouvement de l'ombre. |
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Hollis Frampton |
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Journal, 1837-1852 |
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K |
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Le lemme de Frampton, le dilemne de Zorn |
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L'espace ivre de l'esthétique |
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Livre bouffon : baudelaire à l'académie : roman |
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Lusitania from oceanography to beyond form |
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Métaphysique de la miette |
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Michael Madore, 1979 : March 9-April 23, 2000 |
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Miroirs de l'infini. |
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Mirrors of infinity : the French formal garden and 17th-century metaphysics |
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Of puppets and bodies. From the object to the obscene : a philosophy of puppet theatre in the twentieth and twenty-first centuries. |
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On the nature of things : contemporary american landscape architecture |
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Paris à table |
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pâtissier pittoresque |
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Perverse desire and the ambiguous icon |
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Phantasmatikon |
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Phantasmic radio |
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Poupées [exposition, Paris, Halle Saint-Pierre, 19 janvier-25 juillet 2004] |
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Principato di Monaco : idea per un museo |
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promenade de Versailles |
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The relation between ontology and semiology in the later writings of Maurice Merleau-Ponty |
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Relation de la fête de Versailles du dix-huit juillet mille six cent soixante-huit |
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sable et de neige |
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Sade and the narrative of transgression |
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Shattered forms, c1992: |
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Taste nostalgia |
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The taste of memory |
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Teresita Fernández : [exhibition, SITE Santa Fe, October 7, 2000 - January 14, 2001] |
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theater of the ears |
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Unnatural horizons : paradox and contradiction in landscape architecture |
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Unpacking my library, or, the autobiography of teddy |
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Varieties of audio mimesis : musical evocations of landscape |
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wind and the source in the shadow of Mont Ventoux |
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Writings on laughter, Sacrifice, Nietzsche, Un-knowing |
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Zen landscapes : perspectives on Japanese gardens and ceramics |
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