Letissier, Georges, 19..-....
Letissier, Georges
VIAF ID: 295659 ( Personal )
Permalink: http://viaf.org/viaf/295659
Preferred Forms
- 200 _ | ‡a Letissier ‡b Georges
- 100 1 _ ‡a Letissier, Georges
- 100 1 _ ‡a Letissier, Georges
- 100 1 _ ‡a Letissier, Georges
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- 100 1 _ ‡a Letissier, Georges
- 100 1 _ ‡a Letissier, Georges, ‡d 19..-....
5xx's: Related Names (2)
- 551 _ _ ‡a Nantes ‡4 ortw ‡4 https://d-nb.info/standards/elementset/gnd#placeOfActivity
- 510 2 _ ‡a Université de Nantes ‡4 affi ‡4 https://d-nb.info/standards/elementset/gnd#affiliation ‡e Affiliation
Works
Title | Sources |
---|---|
La broderie dans l'oeuvre de Tracey Emin : piquer, percer, fixer, Jouissance filaire et art de l'intime | |
Charles Dickens, an Author of Transition at the Crossroads of the Gothic and the Detective Fictions. | |
Charles Dickens, un auteur de transition à la croisée du gothique et du policier | |
The Contemporary British Novel Facing the Challenge of Vulnerability : M. Amis, J. Coe, J. McGregor, D. Mitchell, P. Neate. | |
De Darwin à la littérature : un regard évolutionniste sur des romans d'Ian McEwan et de Margaret Drabble | |
Dickens excentrique : persistances du Dickensien | |
Le discours de la méthode selon G. K. Chesterton : l'itinéraire d'une pensée | |
Discourse and experience in Jane Austen’s Novels. | |
The discourse on the method according to G. K. Chesterton : a mind’s journey. | |
Eccentric Dickens : Afterlives of the Dickensian. | |
Embroidery in the artwork of Tracey Emin : pricking and Fixing, Thread Jouissance and Art of Intimacy. | |
Enduring presence William Hogarth's British and European afterlives | |
Les espaces communs et démocratiques d'E. M. Forster : romans, nouvelles, essais | |
Évolutions du motif de l'île déserte dans la littérature d'aventures victorienne (Stevenson, Conrad et Wells) : "Fin de siècle" et mutation du genre | |
Femininity and confinement in the novels of Anita Brookner. | |
Féminité et enfermement dans les romans d'Anita Brookner | |
Ford Madox Ford and the arts : painting, music and the performing arts in the novels. | |
Ford Madox Ford et les arts : peinture, musique et arts du spectacle dans l'oeuvre romanesque. | |
Ford Madox Ford, "The good soldier" | |
From Robinson Crusoe To Vanity Fair : the reader figure in british novels, 1719-1847. | |
Gender and female empowerment in Malagasy folktales and oratory | |
Le genre et l’empowerment des femmes dans les contes et le discours oratoire malgaches. | |
La grande guerre de ford madox ford : de l'histoire à la fiction | |
The great war of ford madox ford : from history to fiction. | |
THE HAUNTING REFERENCE TO THE VICTORIAN INTERTEXT IN CONTEMPORARY FICTION WRITING. | |
higher inward life George Eliot's "Middlemarch" | |
Impersonality and Emotion in Twentieth-Century British Literature | |
The Intertextual Quest(ion) ˸ detection in Neo-Victorian Rewritings of Charles Dickens | |
Ipséité et altérité dans l'œuvre littéraire de Leonard Woolf | |
Ithell Colquhoun : fantasmagories féminines du surréalisme britannique | |
Landscape(s) : text and image in Jane Urquhart's novels. | |
L'héritage de Charles Darwin dans les cultures européennes | |
"Like anecdotes from a case-book". Dialogues entre discours théoriques et cas particuliers dans les romans de May Sinclair | |
Les mères et la maternité dans les œuvres de George Eliot et d'Elizabeth Gaskell | |
Mothers and motherhood in the works of George Eliot and Elizabeth Gaskell. | |
Neo-characterisation of the female protagonist in John Fowles's The french lieutenant's woman (1969), Michel Faber's The crimson petal and the white (2002) and Sarah Waters's Fingersmith (2002) | |
New technologies and new reading habits : soundscapes in Jane Eyre and Dracula. | |
Nouvelles technologies et nouvelles pratiques de lecture : paysages sonores dans Jane Eyre et Dracula | |
Open tombs : the poetics of intimate mourning in contemporary British and Irish fiction. | |
Paysage(s) : l'écriture et l'image dans l'oeuvre romanesque de Jane Urquhart | |
Poésie et enseignement-apprentissage des langues | |
The Poet, the Philosophers and the Physicists - Representation and Criticism of Science in E. E. Cummings' Literary Works. | |
Poetry and second-language teaching and learning. | |
Politics, ethics and esthetics in the works and thought of George Orwell. | |
Politics in Lindsey Collen's novels. | |
Politique, éthique et esthétique dans l'oeuvre et la pensée de George Orwell | |
Professionals as narrators in Victorian and Edwardian short fiction : discourse and empowerment : doctors, clergymen and lawyers in the short fiction of Joseph Sheridan Le Fanu, Wilkie Collins and Arthur Conan Doyle. | |
Rewriting/reprising : plural intertextualities | |
Secrets, mysteries, silences [actes du colloque, Université de Nantes, janvier 2003] | |
Shift and changes in the poetry of John Henry Newman (1801-1890) : "The Dream of Gerontius", "Verses on Various Occasions". | |
Le spectre du document : supports, signes et sens dans l'œuvre romanesque de Charles Dickens | |
The spectrum of documents : media, signs and meaning in Charles Dickens’s novels. | |
Steam dragons : towards a poetics of contemporary neo-victorian fantasy. | |
Tombeaux ouverts : la poétique du deuil intime dans la fiction britannique et irlandaise contemporaine | |
LA TRACE OBSEDANTE DE L'INTERTEXTE VICTORIEN DANS L'ECRITURE ROMANESQUE CONTEMPORAINE | |
Translating the Reappropriation of Emotions in The World and Other Places by Jeanette Winterson. | |
Troisième concours de recrutement de professeurs de lycée professionnel (CAPLP), 2002 | |
Vernon Lee (Violet Paget,1856-1935) : une odyssée scripturale entre romantisme et modernité | |
The writers of the forked tongue : multilingual writing and the disintegration of the colonial space. | |
Writing Emptiness : Performative Metalepsis and the Expression of Trauma in Six Contemporary British Novels (Toby's Room by Pat Barker, Skin Lane by Neil Bartlett, Even the Dogs by Jon McGregor, Anatomy of a Soldier by Harry Parker, The Accidental by : Toby's Room by Pat Barker, Skin Lane by Neil Bartlett, Even the Dogs by Jon McGregor, Anatomy of a Soldier by Harry Parker, The Accidental by Ali Smith and The Night Watch by Sarah Waters. | |
Writing-unwriting : the paradoxes of the end in contemporary metafiction in english (Mark Z. Danielewski, Alasdair Gray, Lance Olsen, Will Self). |