Schwabsky, Barry.
Schwabsky, Barry, 1957-....
Schwabsky, Barry 19..-...
שוובסקי, ברי
Barry Schwabsky art critic
VIAF ID: 5082308 ( Personal )
Permalink: http://viaf.org/viaf/5082308
Preferred Forms
- 100 0 _ ‡a Barry Schwabsky ‡c art critic
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- 200 _ | ‡a Schwabsky ‡b Barry
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- 100 1 _ ‡a Schwabsky, Barry
- 100 1 _ ‡a Schwabsky, Barry
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- 100 1 _ ‡a Schwabsky, Barry
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- 100 1 _ ‡a Schwabsky, Barry
- 100 1 _ ‡a Schwabsky, Barry ‡d 19..-...
- 100 1 _ ‡a Schwabsky, Barry ‡d 1957-
- 100 1 _ ‡a Schwabsky, Barry, ‡d 1957-....
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4xx's: Alternate Name Forms (3)
Works
Title | Sources |
---|---|
The adventures of art | |
Alex Katz | |
Amy Sillman | |
Anna Leonhardt - lights | |
Art and posthistory : conversations on the end of aesthetics | |
Art of Robert Schwartz | |
Ausstellung Eberhard Havekost [anlässlich der Ausstellung Eberhard Havekost - Ausstellung, Staatliche Kunstsammlungen Dresden, 13. Nov. 2010 - 6. Feb. 2011] | |
Bernar Venet | |
Betty Woodman | |
Ceci n'est pas une exposition d'art français : interview | |
Chloe Piene : [exposition,] Carré d'Art, Musée d'art contemporain de Nîmes, [26 octobre 2007-20 janvier 2008] | |
Ha Chong Hyun | |
Dana Schutz | |
Despo Magoni, recent painting : [exposition, New York City, Alternative Museum], April 2-April 26, 1986. | |
Earthling : Warren Neidich | |
Ellen Gallagher | |
The escape : from a seventeenth-century drawing manual of the face and its expressions | |
Escape (University of Chicago Press) | |
Essais. Extraits | |
Essays. Selections | |
Essays. Selections (Heretics of language) | |
Farah Atassi | |
Francesco Polenghi | |
Gary Hill | |
Gillian Carnegie | |
Gillian Wearing mass observation [exhibition venues, Museum of contemporary art, Chicago, October 19, 2002-January 19, 2003, Institute of contemporary art, Philadelphia, September 3-December 14, 2003] | |
Girl power & boy hood | |
Hodočašće Arsenija Njegovana. | |
Houses | |
Ian Davenport : horizons : [exhibition, Dallas, the Dallas Contemporary, September 30, 2018 - March 17, 2019]. | |
Igor & Svetlana Kopystiansky : tracking shot | |
Ilya Kabakov | |
Issy Wood : study for no | |
Jackson Pollock | |
Jessica Stockholder / Barry Schwabsky, Lynne Tillman, Lynne Cooke. - London, 1995. | |
Jonathan Lasker, coloured scribbles | |
Juan Uslé : The blind entrance | |
Kate Shepherd : ce lieu, par exemple : [exposition, Paris, Galerie Lelong, 13 mars -10 mai 2003] | |
Landscape Linoleum : [exhibition, Antwerpen, Openluchtmuseum voor Beeldhouwkunst Middelheim] 6 september - 15 november 1998 | |
Landscape painting now : from Pop Abstraction to New Romanticism | |
Len Lye, motion composer | |
Maria Morganti : [mostra], Fondazione Bevilacqua La Masa, Comune di Venezia, Palazzetto Tito, Dorsoduro 2826, Venezia, 14 febbraio-13 marzo 2006 | |
Maria Morganti : pitture = Maria Morganti : paintings | |
Mark Grotjahn | |
Mel Bochner Drawings : a retrospective | |
Michelle Stuart : Flight of time : Michelle Stuart | |
More flowers than you could possibly carry : selected poems 1989-2012 | |
Morgane Tschiember : taboo : [exposition, Musée des beaux-arts de Dole, 14 mars - 30 août 2015] | |
Nabil Nahas : [exhibition Sperone Westwater, New York, 5 April - 4 May 2013] | |
Natalie Alper : abstractions : January 28-March 29, 1998, Lehigh University Art Galleries, Main Gallery, Zoellner Arts Center | |
The new lessons, c1979: | |
Neysa Grassi : dissolver, September 1-October 9, 1999 | |
Nicolas Krushenick : electric soup | |
Nikola Savić | |
Nikola Savić "Ljubav dugo trpi, blagotvorna je" (Prva poslanica svetog apostola Pavla Korinćanima 13:4) : Salon Muzeja savremene umetnosti, Beograd, Zvono Galerija, Beograd = "Love is patient, love is kind" (1 Corinthians 13:4) : Salon of the Museum of Contemporary Art, Belgrade, Zvono Gallery, Belgrade : 05/09-03/10/2008 | |
The observer effect : on contemporary painting | |
Œuvre. | |
Pace of days | |
Parcours croisés : Alain Kirili, sculptures, Ariane Lopez-Huici, photographies : [exposition, Caen, Musée des beaux-arts de Caen, 15 février - 11 mai 2014] | |
Peer Veneman : sculpture | |
Pekić, Borislav, 1930-1992. The houses of Belgrade, 2016: | |
Porfirio DiDonna (1942-1986) : vision fulfilled, 1984-1985 | |
Projections : Christine Davis | |
Rebecca Warren | |
Rhona Bitner : le regard attentif d'un spectateur détaché : interview | |
Ricas y famosas | |
Robert Youds : beautifulbeautiful artificial field. | |
Ron Gorchov : the last paintings 2017-2020 : [exhibition Cheim & Read, New York, 14.09-18.12, 2021] | |
Root cellar | |
Rose Wylie : which one | |
Rumors to wake up to | |
She is ready | |
Shirley Wiitasalo : the Power Plant, 9 December 2000-4 March 2001. | |
Sleep | |
Susan Moore : paintings : September 8-October 14, 1995 | |
Sve su moje slike u Americi : razgovor s Erikom Bulatovim | |
Tàpies desde el interior : 1945-2011. | |
The triumph of painting | |
Vitamin P : new perspectives in painting | |
When 1 is 2 : the art of Alighiero e Boetti | |
When one is two | |
The widening circle : consequences of modernism in contemporary art | |
Words for art : criticism, history, theory, practice | |
Works. | |
Yishai Jusidman : pintura en obra = paintworks | |
예술과 탈역사 예술의 종말에 관한 단토와의 대화 |