Universitetet i Oslo. Senter for Ibsen-studier
Senter for Ibsen-studier i Oslo
Universitetet (Oslo). Senter for Ibsen-studier.
Senter for Ibsen-studier (Universitetet ; Oslo)
Senter for Ibsen-studier (Oslo)
Senter for Ibsen-studier
VIAF ID: 159622844 ( Corporate )
Permalink: http://viaf.org/viaf/159622844
Preferred Forms
- 151 _ _ ‡a Senter for Ibsen-studier
- 110 2 _ ‡a Senter for Ibsen-studier (Oslo)
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- 110 2 _ ‡a Senter for Ibsen-studier i Oslo
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- 110 2 _ ‡a Universitetet i Oslo ‡b Senter for Ibsen-studier
- 110 2 _ ‡a Universitetet i Oslo ‡b Senter for Ibsen-studier
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- 110 2 _ ‡a Universitetet i Oslo. ‡b Senter for Ibsen-studier
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4xx's: Alternate Name Forms (45)
5xx's: Related Names (3)
Works
Title | Sources |
---|---|
The 3rd International Ibsen Conference in China | |
Acta Ibseniana | |
Acta of the seminar Ibsen tra noi, 3. September 1994 | |
An archaeological and genealogical reading of Ibsen’s Hedda Gabler from 19th century Norwegian perspective and 21st century Ghanaian perspective | |
An archetypal reading of Rosmersholm | |
"Bunden af en takskyld uden lige" : om svenskspråklig Ibsen-formidling 1857-1906 | |
Casa di bambola : an indirect retranslation by Anita Rho | |
Contemporary Ghanaian perceptions of A doll's house | |
Dancing with ghosts : tensions between classical ballet and Ibsen's modern drama | |
An eco-feminist reading of four plays of Henrik Ibsen | |
Einiges über Ibsen : zur Feier ihrer alljährlichen Mai-Festspiele | |
Emotive hammer : a lexical semantics analysis of Henrik Ibsen's emotion words | |
An enemy of the people transformed into Ganashatru : how local? | |
Fra Bergen til Beijing : en analyse av kvinnelig representasjon sett gjennom Nora | |
Fra Ibsen til Beckett | |
A fractured realism : disability representation in Henrik Ibsen's plays | |
A gender perspective on Ibsen's Pillars of Society : re-conceptualising the notion of the emancipated woman | |
Gender responsibility : a masculine reading of Henrik Ibsen's Ghosts | |
Heart higher than the sky : reinventing Chinese femininity through Ibsen's Hedda Gabler | |
Henrik Ibsen in the American theatre, 1879-1914 | |
Henrik Ibsen's unfinished plays rediscovered through Antonin Artaud's theory | |
Hundre dikt til hundreårsdagen | |
Hvorfor kaller vi Jon Fosse for den nye Henrik Ibsen? : en sammenlignende analyse av Gengangere og Nokon kjem til å kome | |
Ibsen and costume : a case study of the Rat Wife | |
Ibsen and Russian culture : Ibsen conference in St. Petersburg 2003, 1 October-4 October | |
Ibsen as understood in Bangladesh : Ghosts and A doll's house seen through the lenses of gender | |
Ibsen at the theatrical crossroads of Europe : a performance history of Henrik Ibsen's plays on the Romanian stages (1894-1947) | |
Ibsen between the West and the East : October 27, 28 2006 : the first centennial commemoration of the Norwegian playwright Henrik Ibsen (1828-1906) | |
Ibsen in the theater of Meyerhold | |
Ibsen on screen | |
Ibsen on the West African stage : a case of a complicated relationship | |
Ibsen reception in Poland and the Baltic countries, 2006: | |
Ibsen’s reappearance in China : Chinese and Norwegian interests in the first Chinese Peer Gynt in the 1980s | |
Ibsen’s works in Macedonia | |
Ibsen studies | |
Ibsen Theatre Symposium : september 14-15 1996 | |
Ibsenfamiliens utklippsbøker : registrant over innholdet i 11 bøker | |
Ibsen's piano : a cultural and literary analysis of "A doll house","Hedda Gabler" and "John Gabriel Borkman" from the perspective of the piano as visual and auditory element in the plays | |
Ibsen's symbolic act : a political reading of Ibsen's first three plays written after returning to Norway | |
Importance of dreams and fantasies in Ibsen's dramas : a psychoanalytic study of The vikings of Helgeland and Little Eyolf | |
Jørgen Tesman as the protagonist in Hedda Gabler : | |
En kamæleon i vittighedsbladenes tjeneste : en undersøgelse af danske vittighedsblades parodiske behandling af Henrik Ibsen | |
Knappestøberen : informasjonsblad | |
Looking for Ibsen in Mangfoldsåret : investigating processes and barriers to multiculturalism in the Norwegian theatre | |
Lørdagsforum høst 1993 : Ibsen i fokus | |
The model, the artist and the false dilemma : a comparative analysis of When we dead awaken | |
Nasjonal Ibsenkonferanse 1997 : 18.-19. mars i Skien | |
The nation speaks through the global : transformations of Peer Gynt in South Asia and in a Norwegian valley | |
Nora's performance in China (1914-2010) : inspiration, communities and political theatre | |
Oppgaver, organisering og finansiering : Interimstyrets innstilling av 7. november 1990 | |
Den optiske fordring, 1997: | |
A performance analysis of Ostermeier's Nora | |
The political influence on Ibsen's reception in Georgia | |
Proceedings | |
Rethinking Norwegian identity : minorities in contemporary productions of Ibsen’s plays | |
Revisiting the "Chinese Nora" : an intertextual and narratological comparison between A Doll’s House and “Regret for the Past” | |
Scripta manent : time travel through forgotten words and retrieved information on the tracks of Suzannah Ibsen's intellectuality | |
The spatial expression of power in Henrik Ibsen’s plays : A doll’s house, Hedda Gabler, The master builder | |
Stort Ibsen-nummer | |
To speak mysteries of the spirit : on the two nynorsk translations of Peer Gynt | |
The "voices of reason"? : a study of some minor characters in Ibsen's The wild duck, Rosmersholm and Hedda Gabler from the perspective of anti-idealism | |
Water; life which moves on earth : water as the mode of self-reflection in The lady from the sea | |
Woman in the artist's world : post-Jungian reading of Hedda Gabler |