Wallflower Press (2000-2011).
Wallflower Press
VIAF ID: 139947854 ( Corporate )
Permalink: http://viaf.org/viaf/139947854
Preferred Forms
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- 110 2 _ ‡a Wallflower Press
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- 110 2 _ ‡a Wallflower Press
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4xx's: Alternate Name Forms (1)
Works
Title | Sources |
---|---|
Avant-garde film : forms, themes and passions | |
Bio-pics : a life in pictures | |
The celluloid Madonna : from scripture to screen | |
Cinema and history : the telling of stories | |
The cinema of Agnès Varda : resistance and eclecticism | |
The cinema of Aki Kaurismäki : contrarian stories | |
The cinema of Alexander Sokurov : figures of paradox | |
The cinema of Andrzej Wajda : the art of irony and defiance | |
The cinema of Béla Tarr : the circle closes | |
The cinema of Clint Eastwood : chronicles of America | |
The cinema of Italy | |
The cinema of Ken Loach : art in the service of the people | |
The cinema of me : the self and subjectivity in first person documentary | |
The cinema of Michael Haneke : Europe utopia | |
The cinema of Michael Mann : vice and vindication | |
The cinema of Mike Leigh : a sense of the real | |
The cinema of Robert Altman : hollywood maverick | |
The cinema of Steven Soderbergh : indie sex, corporate lies, and digital videotape | |
Contemporary British cinema : from heritage to horror | |
Contemporary Romanian cinema : the history of an unexpected miracle | |
Crime films : investigating the scene | |
Disaster movies : the cinema catastrophe | |
Documenting cityscapes : urban change in contemporary non-fiction film | |
Early cinema : from factory gate to dream factory | |
Fantasy cinema : impossible worlds on screen | |
Feminist auteurs : reading women's film | |
Feminist film studies : writing the woman into cinema | |
Film and philosophy : taking movies seriously | |
Film authorship : auteurs and other myths | |
Film noir : from Berlin to Sin City | |
Film noir : from Fritz Lang to Fight Club | |
Film theory : creating a cinematic grammar | |
Film violence : history, ideology, genre | |
Filmosophy : a manifesto for a radically new way of understanding cinema | |
The gangster film : fatal success in American cinema | |
Haunted images : film, ethics, testimony and the Holocaust | |
The heist film : stealing with style | |
Heritage film : nation, genre and representation | |
Holocaust cinema in the twenty-first century : memory, images, and the ethics of representation | |
The horror genre : from Beelzebub to Blair Witch | |
How Chicago invented the U.S. film industry | |
Ingmar Bergman's face to face | |
Installation and the moving image | |
International politics and film : space, vision, power | |
Killer images : documentary film, memory and the performance of violence | |
The lure of the vampire : gender, fiction and fandom from Bram Stoker to Buffy | |
Mediating mobility : visual anthropology in the age of migration | |
Melodrama : genre, style, sensibility | |
Movie wars : how Hollywood and the media limit what films we can see | |
The musical : race, gender and performance | |
Neo-noir | |
The new Hollywood : from Bonnie and Clyde to Star Wars | |
Parallel lines : post-9/11 American cinema | |
The personal camera : subjective cinema and the essay film | |
Postmodernism and film : rethinking Hollywood's aesthetics | |
Queer cinema : schoolgirls, vampires and gay cowboys | |
Reading Hollywood : spaces and meanings in American film | |
Remapping world cinema : identity, culture and politics in film | |
The revolution will not be televised, 2008: | |
The road movie : in search of meaning | |
Romantic comedy : boy meets girl meets genre | |
Science fiction cinema : from outerspace to cyberspace | |
Shakespeare on film : such things as dreams are made of | |
Slow movies : countering the cinema of action | |
Soundscape : the school of sound lectures 1998-2001 : exploring the art of sound with the moving image | |
The sports film : games people play | |
The star system : Hollywood's production of popular identities | |
Storytelling in world cinemas. | |
The struggle for form : perspectives on Polish avant-garde film, 1916-1989 | |
Subversion : the definitive history of underground cinema | |
The trouble with men : masculinities in European and Hollywood cinema | |
The vampire film : undead cinema | |
The Western genre : from Lordsburg to Big Whiskey | |
Women's cinema : the contested screen |