Carleton University. Art Gallery.
Carleton university Ottawa, Art Gallery
The Carleton University Art Gallery
Carleton university. Art Gallery (Ottawa, Ont.)
VIAF ID: 127118633 ( Corporate )
Permalink: http://viaf.org/viaf/127118633
Preferred Forms
- 110 2 _ ‡a Carleton University ‡b Art Gallery
- 110 2 _ ‡a Carleton University ‡b Art Gallery
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- 110 2 _ ‡a Carleton University. ‡b Art Gallery
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- 110 2 _ ‡a Carleton university. ‡b Art Gallery (Ottawa, Ont.)
- 151 _ _ ‡a The Carleton University Art Gallery
4xx's: Alternate Name Forms (9)
5xx's: Related Names (3)
- 510 2 _ ‡a Carleton University ‡e Ueberordnung
- 551 _ _ ‡a Kanada
- 551 _ _ ‡a Ottawa
Works
Title | Sources |
---|---|
All is well | |
Anthem : perspectives on home and native land | |
Art insight (Ott.) | |
Artworks at Carleton | |
Carol Wainio : the book | |
Chan Ky-Yut : the eye of colour : exhibition tour of the United Kingdom, 2002-2004. | |
Christi Belcourt | |
Climats | |
Colville, being seen | |
Colville, the serigraphs | |
Construction work : Josée Dubeau, Lorraine Gilbert, Jinny Yu | |
Conversation pieces : African textiles from Barbara and Bill McCann's collection | |
En(counter)s | |
I don't know where Paradise is | |
Double take | |
Empowering the word / Sorel Cohen ... [et al.] ; Michael Bell. | |
Erin Shirreff | |
Even space does not repeat | |
Garbage : Mathew Reichertz. | |
Grand jour | |
Howie Tsui's horror fables | |
Hymne : points de vue sur la terre de nos aïeux | |
Inuit art quarterly, fall 2010: | |
Invention & revival : the colour drypoints of David Milne and John Hartman | |
Invention and first century of lithography | |
Jane Martin : Gathie's cupboard, 1988-1999 : paintings, drawings, and prints. | |
Justin Wonnacott : I remember and I forget | |
Kina, tapa, and baba tagwa : art(ifacts) from Papua New Guinea | |
Lasting impressions : the Canadian Printmakers' Showcase : 1969 to 1974 | |
L'Hôtel SofiCalle | |
Light industry | |
Lithographs of Frederick Hagan | |
Making otherwise : craft and material fluency in contemporary art | |
Making the news in 18th-century France | |
Mark up : the character of drawing | |
Meryl McMaster : confluence | |
Michèle Provost : selling out | |
Nadia Myre, en[counter]s | |
Natalie Brettschneider archive | |
New readings in female anatomy | |
Niya n ehiyaw : crossfires of identity : Gerald McMaster. | |
Patiently I sing : selections from the Tyler/Brooks Collection of Inuit Art | |
Portraits from the new forest | |
Qiviuq : a legend in art | |
Rebecca Belmore : March 5, 1819 | |
Reverse engineered--Alexandre Castonguay, Mathieu Bouchard | |
Richard Henriquez: Memory theatre | |
Robert Houle : pahgedenaun. | |
Robert Houle's histories | |
Samuel Roy-Bois : not a new world, just an old trick. | |
Sanattiaqsimajut : Inuit art from the Carleton University Art Gallery collection | |
The shadow secured | |
Shuvinai Ashoona drawings | |
Speculative fictions : the photomontages of Graham Metson, 1955-95 | |
Strange loop | |
Transitions : Hugh Mackenzie, painter-etcher | |
The whole Hogg : drawings by Barry Callaghan | |
Works. | |
Y & G #12 (curtain walls) | |
York Wilson : his life and work, 1907-1984 |