Hutcheon, Linda, 1947-....
Hutcheon, Linda
هتشيون، ليندا، 1947-
Linda Hutcheon Canadian academic
VIAF ID: 101807260 ( Personal )
Permalink: http://viaf.org/viaf/101807260
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- 200 _ | ‡a Hutcheon ‡b Linda ‡f 1947-....
- 100 1 _ ‡a Hutcheon, Linda
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- 100 1 _ ‡a Hutcheon, Linda
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- 100 1 _ ‡a Hutcheon, Linda ‡d 1947-
- 100 1 _ ‡a Hutcheon, Linda ‡d 1947-
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- 100 1 _ ‡a Hutcheon, Linda, ‡d 1947-
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- 100 1 _ ‡a Hutcheon, Linda, ‡d 1947-
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- 100 1 _ ‡a Hutcheon, Linda, ‡d 1947-....
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- 100 0 _ ‡a Linda Hutcheon ‡c Canadian academic
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4xx's: Alternate Name Forms (27)
Works
Title | Sources |
---|---|
Adaptation and American studies perspectives on research and teaching | |
Adaputeshon no riron. | |
Aironī no ejji : Sono riron to seijigaku | |
Allegro | |
As Canadian as --possible --under the circumstances! | |
Beauvais Lyons : hokes medical arts : January 10 - February 2, 2008 | |
Bodily charm : living opera | |
The bush garden : essays on the Canadian imagination | |
Canadian postmodern a study of contemporary english-canadian fiction | |
Chia-na-ta hou hsien tai chu i : Chia-na-ta hsien tai Ying-yu | |
Comparative literature for the new century | |
The edible woman : [a novel] | |
The fictions of John Fowles : power, creativity, femininity | |
Final questions | |
Finding common ground = À la recherche d'un terrain commun | |
Formalism and the Freudian aesthetic : the example of Charles Mauron | |
Four last songs : aging and creativity in Verdi, Strauss, Messiaen, and Britten | |
Gaksaek iron ui modeun geot | |
Genre, trope, gender : essays | |
Harry Potter and the Novice's Confession | |
How? (Audiences) | |
How to dance in this rarefied air : poems | |
The humanities laboratory | |
Le immagini tradotte : usi passaggi trasformazioni | |
Intertekstualnost, parodija i diskurzi povijesti | |
Ironia, satyra, parodia - o ironii w ujęciu pragmatycznym | |
Irony's edge : the theory and politics of irony | |
Jianada hou xian dai zhu yi : Jianada xian dai Yingyou | |
L'autoreprésentation : le texte et ses miroirs | |
Leonard Cohen and his works | |
Masculinity in opera : gender, history, & new musicology | |
Medicine & culture | |
La mémoire postmoderne : essai sur l'art canadien contemporain | |
n81086196 | |
Narcissistic narrative : the metafictional paradox | |
Opera : desire, disease, death | |
Opera : the art of dying | |
Other solitudes : Canadian multicultural fictions | |
Parodi no riron | |
O pochodzeniu adaptacji : biologiczne przemyślenia o dyskursie wierności i "sukcesu" | |
Poética do Pós-Modernismo : história, teoria, ficção | |
Poetics of postmodernism : history, theory, fiction | |
Politics of postmodernism | |
The politics of representation in Canadian art and literature | |
Politika i etika pripovijedanja | |
A Postmodern reader | |
Postmodernistički prikaz | |
The Postwar Novel in Canada : Narrative Patterns and Reader Response | |
Posutomodanizumu no seijigaku | |
Productive postmodernism : consuming histories and cultural studies | |
Proza Leonarda Cohena | |
Quotation, re-presenting history : David Buchan, Sorel Cohen, Evergon, Dany Leriche, Al McWilliams, Yasumasa Morimura, Cindy Sherman. | |
Remembering postmodernism : trends in recent Canadian art | |
Rethinking literary history : a dialogue on theory | |
Splitting images : contemporary Canadian ironies | |
teoria da paródia ensinamentos das formas de arte do século XX | |
Teoria e política da ironia | |
Teoria parodii : lekcja sztuki XX wieku | |
Teorija : feminizam i postmodernost : razgovor s Lindom Hutcheon | |
Theory/culture | |
Theory of adaptation | |
Theory of parody | |
Uma teoria da adaptação | |
What? (Forms) | |
Where? When? (Contexts) | |
Who? Why? (Adapters) | |
سياسة ما بعد الحداثية | |
각색 이론의 모든 것 | |
포스트모더니즘의 이론과 전략 | |
アイロニーのエッジ : その理論と政治学 | |
アダプテーションの理論 | |
パロディの理論 | |
ポストモダニズムの政治学 |