Hotz-Davies, Ingrid.
Hotz-Davies, Ingrid, 1961-
Ingrid Hotz-Davies
VIAF ID: 10023646 ( Personal )
Permalink: http://viaf.org/viaf/10023646
Preferred Forms
- 200 _ | ‡a Hotz-Davies ‡b Ingrid
- 100 1 _ ‡a Hotz-Davies, Ingrid
- 100 1 _ ‡a Hotz-Davies, Ingrid
- 100 1 _ ‡a Hotz-Davies, Ingrid
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- 100 1 _ ‡a Hotz-Davies, Ingrid ‡d 1961-
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- 100 0 _ ‡a Ingrid Hotz-Davies
4xx's: Alternate Name Forms (7)
5xx's: Related Names (3)
- 510 2 _ ‡a Dalhousie University--Halifax
- 510 2 _ ‡a Eberhard Karls Universität Tübingen ‡b Englisches Seminar ‡4 affi ‡4 https://d-nb.info/standards/elementset/gnd#affiliation ‡e Affiliation
- 510 2 _ ‡a Universität Tübingen ‡b Englisches Seminar
Works
Title | Sources |
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Adversarial stances strategies of resistance in selected Renaissance texts | |
Blowing the Whistle : Narratives and Frames of Truth-Telling | |
creation of religious identities by English women poets from the seventeenth to the early twentieth century soulscapes | |
The Cultural life of Whistleblowing. | |
Dans le miroir de la sirène : la monstruosité du sujet désirant masculin à l'époque victorienne | |
The dark side of camp aesthetics : queer economies of dirt, dust and patina | |
Ins Wort gesetzt, ins Bild gesetzt Gender in Wissenschaft, Kunst und Literatur | |
Ins Wort gesetzt, ins Bild gesetzt / Ingrid Hotz-Davies, Schamma Schahadat (Hg.). - Bielefeld, cop. 2007. | |
Internet fictions | |
King Henry VI | |
Kingdoms of Elfin | |
König Heinrich der Sechste | |
L'écriture du corps entre philosophie et littérature une lecture de "Corpus" de Jean-Luc Nancy | |
Literary representations of civil wars : a comparative study of novels dealing with the Spanish civil war and the Yugoslav conflict | |
Die Naturalisierung des Geschlechts : zur Beharrlichkeit der Zweigeschlechtlichkeit | |
Poétiques en traduction : « Make It New » par Ezra Pound et « Transcreation » par Haroldo de Campos. | |
Psychoanalytic-ism uses of psychoanalysis in novels, poems, plays and films | |
Réalisme hyperbolique dans les romans maximalistes tardifs de Thomas Pynchon (Against the Day) et Roberto Bolaño (2666). | |
Staging revolutions : a comparative study of irish and egyptian theatre | |
Through the Siren's looking glass : the Victorian monstrosity of the male Desiring Subject. | |
The writing of the body between philosophy and literature: a reading of Jean-Luc Nancy's Corpus. |