Betterton, Thomas, 1635?-1710
Betterton, Thomas
Betterton, Thomas 1635c-1710
Betterton, Thomas, ca. 1635-1710
Thomas Betterton British actor (1635-1710)
Betterton, Thomas, ap 1635-1710
Betterton, Thomas, asi 1635-1710
VIAF ID: 29800138 ( Personal )
Permalink: http://viaf.org/viaf/29800138
Preferred Forms
- 200 _ | ‡a Betterton ‡b Thomas ‡f 1635-1710
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- 100 1 _ ‡a Betterton, Thomas
- 100 1 _ ‡a Betterton, Thomas
- 100 1 _ ‡a Betterton, Thomas ‡d 1635-1710
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- 100 1 _ ‡a Betterton, Thomas, ‡d 1635?-1710
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- 100 1 _ ‡a Betterton, Thomas, ‡d 1635?-1710
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- 100 1 _ ‡a Betterton, Thomas, ‡d 1635?-1710
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- 100 0 _ ‡a Thomas Betterton ‡c British actor (1635-1710)
4xx's: Alternate Name Forms (22)
5xx's: Related Names (1)
- 551 _ _ ‡a London
Works
Title | Sources |
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Amorous, or the Wanton wife a comedy as it is acted at the Theatre-Royal in Drury-Lane... | |
Amorous widow | |
Barnaby brittle: or, A wife at her wit's end : A farce; in two acts: as it is now performing with universal applause at the Theatre-Royal, Covent Garden. Altered from Moliere and Betterton; with additions. | |
Bonduca | |
[caption title, f.37v:] A Song In [struck-through: the] Dioclezian [space, in a different hand:] H: Purcell | |
The counterfeit bridegroom, or The defeated widow : A comedy, as it is acted at His Royal Highness the Duke's Theatre. Licensed Octob. 4th. 1677. Roger L'Estrange. | |
Dioclesian | |
[f. 75v, seventh staff, on the left:] No 34. | |
The history of the English stage, from the restauration to the present time. Including the lives, characters and amours, of the most eminent actors and actresses. With instructions for public speaking; wherein the action and utterance of the bar, stage, and pulpit are distinctly considered. | |
If on a winter's night-- | |
K. Henry IV. with the humours of Sir John Falstaff. A tragi-comedy. As it is acted at the theatre in Little-Lincolns-Inn-Fields by His Majesty's servants. Revived, with alterations. | |
King Henry IV, 1700; | |
Let monarchs fight | |
Let ye Soldiers Rejoyce | |
Make room for the Great God of wine. Bacchanalian song | |
Le Masque : extrait du dioclesien | |
Measure for measure, or, Beauty the best advocate, 1700: | |
Pinacotheca Bettertonaeana : the library of a seventeenth-century actor | |
Plays. | |
Prophetess | |
The prophetess, or, The history of Dioclesian : A dramatic opera. With all the new songs, and the masque. As performed at the Theatre-Royal in Covent-Garden. | |
The revenge. - | |
The royal conquest, or, the happy success against a potent enemy. As it was sung in the prophetess at the Queens Theatre. To a new play-house tune. Licensed according to order | |
The sequel of Henry IV | |
Since from my Dear Astrea's sight I was so rudely torn | |
Sound Fame [...] [at end:] H: P. | |
Tell me why, tell me why my charming fair | |
What shall I do to show how much I love her | |
When first I saw y|e bright Aurelia's Eyes | |
[without title] |